Accompanied only by another droning duduk or zurna (a reed instrument) and the dhol (drum) and occasionally adding vocals, he explores ancient folk songs and dances, songs of troubadours and sacred music of the first Christian millennium. Gasparyan evokes a deep and abiding melancholy, a passion tempered by sadness. Even with the final piece, a wedding suite where his ensemble plays raspy zurnas and drum, the joyous occasion is marked by a contemplative longing that only toward the end breaks into a rousing dance.
1. Menag Jamport Em/Yes Kez Tessa
2. Aravot Luso/Kanch, Hovivi
3. Siro Jusher-To Eva - Djivan Gasparyan, Gasparyan, Djivan
4. Ojakhum - Djivan Gasparyan, Ashot, Ashug
5. Nazani
6. Kele Kele, Haberban - Djivan Gasparyan, komitas
7. Havun Havun - Djivan Gasparyan, Naregazi, Grigor
8. Kele Lao
9. Dzakhord Orer Gukan U Kertan - Djivan Gasparyan, Djivani, Ashug
10. Kanatsi Par
11. Kokh